Vol 5, No 1 (2017)

Table of Contents


Women’s Work: The Bildungsromance of Theodore Dreiser’s Sister Carrie HTML PDF
Tamlyn Avery 1-28
Modernist Genre Decadence: From H. G. Wells to William S. Burroughs HTML PDF
Len Gutkin 29-54
The Mystery of the Moderns: The Historical Location of Mallarmé’s Poetics HTML PDF
Mark Hewson 55-76
George Oppen’s Substantives: The Noun as Heideggerian Formal Indicator and Grundwort HTML PDF
Christopher Oakey 77-105
Itinerant Cinema and the Moving Image of Modernism’s Borders HTML PDF
Kevin Riordan 106-125
Nietzsche’s Spider: Forging and Furnishing the Revolution of the Word HTML PDF
Cathryn Setz 126-153


Emmett Stinson, Satirizing Modernism: Aesthetic Autonomy, Romanticism, and the Avant-Garde HTML PDF
Kate Montague 154-159
Jasper Bernes, The Work of Art in the Age of Deindustrialization, and Annie McClanahan, Dead Pledges: Debt, Crisis, and Twenty-First-Century Culture HTML PDF
Julian Murphet 160-173
A. J. Carruthers, Notational Experiments in North American Long Poems, 1961-2011: Stave Sightings HTML PDF
Sean Pryor 174-180
Enzo Traverso, Left-Wing Melancholia: Marxism, History, and Memory HTML PDF
Mark Steven 181-189

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